Welcome to a space where memory, time, and emotion unfold through abstraction. My work translates the unseen into layered, symbolic forms.Each piece is an invitation to pause, reflect, and connect beyond the surface.
I am delighted to welcome you to my virtual gallery and invite you to experience the essence of my work.
Neveen Abu Samra,
Artist, Painter, Visionary
Neveen Abu Samra is a Palestinian-Polish designer and visual artist based in Dubai, whose practice explores memory, materiality, and the traces of human experience. She transforms everyday remnants and intangible states into layered compositions, where gesture, texture, and form serve as vessels for reflection and meaning.
Working across abstraction and material-based practices, Neveen constructs visual languages that unfold through rhythmic, layered surfaces, evoking accumulation, repair, and impermanence. Her works invite viewers to engage with fragility and transformation, oscillating between presence and absence, clarity and ambiguity, and encouraging reflection on the subtle traces left behind in both material and human experience.
Trained in interior design, where she received the ‘Most Outstanding Design Student’ award, Neveen’s background informs a strong spatial sensibility, attention to structure, balance, and rhythm. She is also the winner of the Maska x Tashkeel Design Competition and the Abu Dhabi Sustainability Week Global Digital Art Competition, with her work held in notable collections, including that of H.E. Zaki Anwar Nusseibeh, Cultural Advisor to the President of the UAE.
Her work has been exhibited across the United Arab Emirates, the National Museum of Egyptian Civilization, Cairo, the Yukyung Art Museum, South Korea, and the National Museum of the Republic of Brazil, Brasília, engaging diverse audiences through a visual language that bridges material, memory, and human experience.
My practice moves between the intimate and the spatial, between works that examine what a single material holds, and environments that consider what a form can make a person feel.
In my studio work, I explore memory, materiality, and trace, how objects that carry human presence can be transformed into layered compositions that evoke accumulation, repair, and endurance. Working with restrained palettes and slow, repetitive processes, my work constructs visual languages that unfold through rhythm and surface, inviting reflection on whatremains in both material and human experience.
Trained in interior design, I bring a strong spatial sensibility to all my work, attention to structure, scale, light, and the relationship between form and the body. Both practices share a common question: what does it mean to be present within something made with care? Whether thework is held in the hand or walked through, I am interested in the moment ofen counter the point where material, light, and human experience meet quietly, and leave something behind.
.jpg)
This series employs recycled tea bags as both material and metaphor, drawing from the intimacy of a shared daily ritual while foregrounding what is typically discarded. Each element retains traces of use stains, folds, and ruptures articulating a language of fragility, residue, and care.
Assembled through a slow, repetitive process, the works unfold as layered, grid-like compositions where accumulation becomes structure. These fragmented units echo the formation of personal and collective histories partial, overlapping, and continuously reconfigured.
The use of reclaimed material operates as a gesture of transformation, extending beyond sustainability into a conceptual framework of repair and renewal. A restrained palette, derived solely from tea, establishes a subtle tonal field that balances cohesion with variation.
Situated between material exploration and conceptual inquiry, the series reflects on time, memory, and endurance inviting consideration of how value and meaning are shaped through what remains.
.jpg)